"Hope is a Good Thing"

On Friday, I watched Rivers students perform Man of La Mancha. The performances were captivating, and the young Rivers thespians earned a standing ovation. The play presents the struggle with the age-old conflict between delusion and hope – the romantic vision versus the practical reality. In the end, despite the misguided, fanciful antics of Don Quixote, hope seems to win. Quixote's romantic vision softens the heart of Aldonza/Dulcinea, almost erasing the grit and grime of her soul so she can find compassion and reach out to the man who believed in her.

"Hope is a good thing." Remember that line from the Shawshank Redemption. The pragmatists wrongly believe that hope is about the future, about a misguided, unfounded prediction of what will happen. Hope is about the present; it's about finding ways to sustain ourselves when life goes terribly wrong. And it works, not always in the way that we intend, but it works. Aldonza became Dulcinea because Don Quixote saw her and treated her with respect and even reverence. It was his romantic vision that changed her. Once she accepted that vision – in essence once she accepted his love – she could rise above her self-absorbed life to find meaning.

A friend of mine once said of hope: "Act as if it's real, and see how your life is changed." A big thank you to the Rivers actors for reminding me of this lesson.

How Art Prepares Students for a Changing World

Rivers' recent results from the Boston Globe Scholastic Art Awards competition remind me of the importance of art in preparing our students for a changing world. Fifty-one Rivers students garnered recognition including 10 Gold Key recipients. It's an astounding achievement, and a testament to our superior art faculty and talented students.

So, why should we care about art in secondary education? Why does Rivers insist on a two-year art requirement when most schools require just one? After all, many colleges do not consider art grades when evaluating student applications. When I came to Rivers in 1997 these were questions I asked with an eye toward reducing the prominence of art in the curriculum. But after a few years, I became a convert, and now I'm a "true believer."

Here's why: Art demands that students use the skills of an entrepreneur. The student must use her imagination to create a vision. That vision must be adjusted to match her skills. In other words, vision and execution are bound to each other. The student must then be open to mid-course changes as she executes her plan. And finally, she must have standards by which to evaluate each step of the process. What other subject so consistently demands imagination, vision, creativity, execution, mid-course adjustments, and honest evaluation? These are the skills that will make a difference in the 21st century. These are the skills of an entrepreneur.

Art matters for a variety of reasons, not least of which is the cultivation of important skills not always found in the traditional disciplines.

Enhancing the Quality of Student Experience

A few weeks ago, each of the four Upper School Deans spent the day shadowing a student from his/her respective class. The idea for this “shadow day” originated with our Assistant Head of School and Dean of Student Affairs, Jim Long, and has continued now for several years. The insights gleaned from these days allow us to assess our students’ quality of experience.

When I use the term "quality of experience," I am referring to the degree to which students are truly engaged in the learning process, the extent to which they are deriving real meaning from their experiences at Rivers, and the balance between their intellectual and social pursuits. After “shadow day,” the Deans always come away with a great appreciation for the high caliber of teaching they observe, but they also invariably come away with a concern about the intensity and pace of the school day. These observations have led us to re-examine our daily schedule this year with the hope that we can do a better job of enhancing learning and improving the quality of student experience in the future.

We examine our program constantly. Excellence is a critical value at Rivers, but we refuse to achieve it at the expense of other equally important values: quality of experience, relationships within the community, our spirit of innovation, and character development. At Rivers, "balance" does not mean sacrificing a part of each of these values. Rather, it means living in the tension these values sometimes create and using our collective imagination to reconcile these tensions to produce a stronger learning environment and a better experience. We want our students to leave Rivers loving to learn, and that's why quality of experience matters to us.

"Sled Dog Moments"

On Monday Dr. Amy Enright, a member of the Rivers history department, gave a wise and wonderful talk to our students about searching for work that inspires us individually as opposed to fulfilling the expectations of others – work that feels more like play than work. In this talk, she referenced a news story she read last year called “Why Do Sled Dogs Run?” which explored the reasons behind why sled dogs find pure joy in hard work.

Dr. Enright went on to call times of hard, yet rewarding work “sled dog moments” because sled dogs appear to do their work simply because they love it. We tend to lose ourselves in this kind of work and become oblivious to time and our surrounding environment. Dr. Enright implored our students to find these moments in their work.

One of the defining attributes of Rivers is the concern for students' quality of experience. Quality of experience at Rivers means students squarely facing the challenges we put before them and, as a result, finding meaning in successfully meeting those challenges. It means students gaining self-confidence and self-efficacy such that they come to believe they can do this thing called adulthood. Part of this journey is students’ discovery of what they love and what they are good at; herein lies the power of the "sled dog moments." Recognizing those moments - those times when, as Dr. Enright states, "work becomes an expression of self" - is critical to leading a happy, fulfilling, and meaningful life. In turn, it is our job as parents and educators to help young people reflect on those moments, embrace them, and learn something about themselves in the process.

Community at Its Best

On Wednesday, January 4, most of the school's students and teachers traveled to Fenway Park to watch the girls’ varsity hockey team play St. George's at Frozen Fenway. It was a great Rivers moment – a shared experience that strengthened our community. This sense of collaboration and coming together around shared experiences is a cornerstone of the Rivers way.

Last Monday, Middle School math teacher Sam Poland spoke to the entire student body about the regret he still feels about giving up his dream of playing basketball in college, even though that decision led him to another activity he found fulfilling: singing. His point was that we need to think carefully about the choices we make, and his speech captured the attention of the entire student body at All-School Meeting that day. It was another shared moment. 

The concept of community can be an enigma. Americans, in particular, extol the virtues of individualism and sometimes chafe against the straight jacket of community pressure. Some American writers have criticized community for creating a culture that stifles the individual. I've seen this happen; I get it. 

But I'm not ready to toss community building aside and label it irrelevant at best or detrimental at worst. I have seen too many instances when community has lifted our students and promoted their growth as individuals: the star athlete who learns the value of teamwork, the senior who shares the poignant death of her father in her senior speech, an upper classman reaching out to freshmen. Community at its best encourages each of us to use our individual leadership strengths and to sublimate our individual wants in order to satisfy our intensely human need for connection. When those connections reflect and support our core values of respect, honesty, compassion, and responsibility, and enhance the quality of experience here at Rivers, how can we not be enriched as individuals?

Music at Rivers: Instrumental in the Learning Experience

The following is a guest post by Rivers Performing Arts Department Chair David Tierney. David is also the Director of The Rivers School Conservatory.

The interview on The Rivers School website with Rivers’ Jazz Director Philippe Crettien gives the listener insight into nearly every aspect of what makes the music program at Rivers so outstanding. The passion Philippe has for jazz is evident in every word and gesture; the depth of his dedication to teaching is palpable as he talks about the cycle of students and educators teaching each other; and his commitment to “being in the moment” with a “valid music statement” through his own learning and performing is unambiguous. But what makes Philippe a great teacher and the jazz program at Rivers the envy of public and private schools across the country is his unshakable belief that every student can play jazz well and the generosity of spirit and energy that he uses to guide every one of his students through the mastery of their instrument, music, and jazz.

Why is jazz so important? Before we can answer that question, we need to acknowledge why music in general is so valuable to learning. During the past 20 years, there have been numerous and extensive studies conducted by the National Association of Music Educators, McMaster University, University of California at Berkley, and Stanford University, to name a small handful, on the relationship between music and learning. The evidence seems to overwhelmingly prove that studying music trains the brain for higher forms of thinking including sequential learning which translates into stronger reading comprehension and math scores for music students. In my opinion, music also fills the most serious abyss in our education system – and perhaps in our society today – a lack of self-discipline. The very nature of learning an instrument, while providing the student with an intensely personal connection with a teacher-artist, requires the student to think and work independently, develop self-confidence, engage in honest self-critique, think creatively, communicate clearly and concisely, and persevere.

Both jazz and classical music require technical mastery of an instrument and artistic creativity. While the classical musician needs to interpret a musical score in order to bring the notes on the page to life, the jazz musician must use technique and improvisational skills simultaneously to both create and perform un-composed music using only a handful of written directions (changes) in the score. Jazz performance is uniquely authentic, requiring the performer to be the composer in the moment, creating and playing music with passion, developing musical ideas by listening, thinking, and responding to others in the performance. The best analogy I have heard is that the classical musician is like a Shakespearean actor who has mastered a script but must now bring a character to life, while a jazz musician is the actor without a script, perhaps with only a few notes for direction, who must immediately perform in character and engage in dialogue with other actors.

At Rivers, we hold students in both classical and jazz studies to the highest standards. Philippe Crettien is emblematic of the quality of teachers and the program at Rivers. He pushes his students' artistic imagination and critical and creative thinking skills to levels they never dreamed of attaining. The result is district, state, and national recognition, signifying a program of unparalleled depth and quality.

Relationships at Rivers: A Support System for Student Growth

Relationships are a staple of independent school education. Check out any school website, and you are sure to see statements about the close relationships between students and adults. Rivers is no different in its emphasis. However, our school goes a step further than many others, intentionally using the power of relationships to challenge and inspire our students to be their best. This essential Rivers quality was fully on display a few years ago at an Upper School faculty meeting in which we practiced giving feedback to students (played admirably by selected teachers) in the most effective ways possible. Our role-playing exercise highlighted the importance of honest, descriptive feedback directed to specific behavior.

These techniques have proven helpful in our work with students and advisees, but they only have impact because our teachers have established strong bonds with their students. Our advisor program and the connections advisors form with their advisees are direct examples of how relationships serve as the fertile ground that make student growth possible. In addition to frequent one-on-one interactions students have with their advisors, advisory groups meet at least once a week to review academic progress, discuss relevant topics and aspects of students’ lives, or just engage in casual conversation. Faculty members become mentors, role models, guides, and friends.

When students know that faculty members care about them, want them to be successful and value them as multi-dimensional human beings with an array of talents, interests, and personality traits, they will be more inclined to take risks, pick themselves up after falling, get out of their comfort zone, and pay attention to the feedback teachers give them.

In this week's Rivers web story you can read about a remarkable Rivers student, Bruna Lee ’13, who was the keynote speaker at the annual Steppingstone Gala. Her story is compelling, coming to the United States by way of Brazil with her parents who emigrated to Brazil from China. None of them could speak English. Her transition to Rivers was challenging, but adults kept reaching out to her, engaging her in conversation, and encouraging her to get involved. Today, Bruna is a true school leader, a great contributor to our community, and someone who is making a big difference. Moreover, she directly attributes her success to her network of supporters.

There are countless other examples of our teachers reaching out to students to make connections and then using those relationships to mentor their young charges and help them be their best. Relationships at Rivers are not just a "nice" appendage to the serious business of school; they are fundamental to our success with students.