The interview on The Rivers School website with Rivers’ Jazz Director Philippe Crettien gives the listener insight into nearly every aspect of what makes the music program at Rivers so outstanding. The passion Philippe has for jazz is evident in every word and gesture; the depth of his dedication to teaching is palpable as he talks about the cycle of students and educators teaching each other; and his commitment to “being in the moment” with a “valid music statement” through his own learning and performing is unambiguous. But what makes Philippe a great teacher and the jazz program at Rivers the envy of public and private schools across the country is his unshakable belief that every student can play jazz well and the generosity of spirit and energy that he uses to guide every one of his students through the mastery of their instrument, music, and jazz.
Why is jazz so important? Before we can answer that question, we need to acknowledge why music in general is so valuable to learning. During the past 20 years, there have been numerous and extensive studies conducted by the National Association of Music Educators, McMaster University, University of California at Berkley, and Stanford University, to name a small handful, on the relationship between music and learning. The evidence seems to overwhelmingly prove that studying music trains the brain for higher forms of thinking including sequential learning which translates into stronger reading comprehension and math scores for music students. In my opinion, music also fills the most serious abyss in our education system – and perhaps in our society today – a lack of self-discipline. The very nature of learning an instrument, while providing the student with an intensely personal connection with a teacher-artist, requires the student to think and work independently, develop self-confidence, engage in honest self-critique, think creatively, communicate clearly and concisely, and persevere.
Both jazz and classical music require technical mastery of an instrument and artistic creativity. While the classical musician needs to interpret a musical score in order to bring the notes on the page to life, the jazz musician must use technique and improvisational skills simultaneously to both create and perform un-composed music using only a handful of written directions (changes) in the score. Jazz performance is uniquely authentic, requiring the performer to be the composer in the moment, creating and playing music with passion, developing musical ideas by listening, thinking, and responding to others in the performance. The best analogy I have heard is that the classical musician is like a Shakespearean actor who has mastered a script but must now bring a character to life, while a jazz musician is the actor without a script, perhaps with only a few notes for direction, who must immediately perform in character and engage in dialogue with other actors.
At Rivers, we hold students in both classical and jazz studies to the highest standards. Philippe Crettien is emblematic of the quality of teachers and the program at Rivers. He pushes his students' artistic imagination and critical and creative thinking skills to levels they never dreamed of attaining. The result is district, state, and national recognition, signifying a program of unparalleled depth and quality.
Why is jazz so important? Before we can answer that question, we need to acknowledge why music in general is so valuable to learning. During the past 20 years, there have been numerous and extensive studies conducted by the National Association of Music Educators, McMaster University, University of California at Berkley, and Stanford University, to name a small handful, on the relationship between music and learning. The evidence seems to overwhelmingly prove that studying music trains the brain for higher forms of thinking including sequential learning which translates into stronger reading comprehension and math scores for music students. In my opinion, music also fills the most serious abyss in our education system – and perhaps in our society today – a lack of self-discipline. The very nature of learning an instrument, while providing the student with an intensely personal connection with a teacher-artist, requires the student to think and work independently, develop self-confidence, engage in honest self-critique, think creatively, communicate clearly and concisely, and persevere.
Both jazz and classical music require technical mastery of an instrument and artistic creativity. While the classical musician needs to interpret a musical score in order to bring the notes on the page to life, the jazz musician must use technique and improvisational skills simultaneously to both create and perform un-composed music using only a handful of written directions (changes) in the score. Jazz performance is uniquely authentic, requiring the performer to be the composer in the moment, creating and playing music with passion, developing musical ideas by listening, thinking, and responding to others in the performance. The best analogy I have heard is that the classical musician is like a Shakespearean actor who has mastered a script but must now bring a character to life, while a jazz musician is the actor without a script, perhaps with only a few notes for direction, who must immediately perform in character and engage in dialogue with other actors.
At Rivers, we hold students in both classical and jazz studies to the highest standards. Philippe Crettien is emblematic of the quality of teachers and the program at Rivers. He pushes his students' artistic imagination and critical and creative thinking skills to levels they never dreamed of attaining. The result is district, state, and national recognition, signifying a program of unparalleled depth and quality.
