Thursday, November 10, 2011

Practice What You Teach

I believe strongly in professional development for faculty. To me it's a mark of a school that is serious about what it is trying to accomplish. Opportunities to share best practices, graduate studies, conferences – all of these translate into teachers who are growing which, in turn, is a major component of high faculty morale.

Lately, I have been intrigued with teachers who actually “practice what they teach.” Does a teacher's work in his/her discipline make a difference in the classroom, or is it simply entertainment for the teacher? With two of our teachers, Dr. Aisha Cort in the Foreign Language Department, and Ben Leeming, Chair of the History Department, presenting their respective research at national conferences, and with the recent display of our art teachers' work in Bell Gallery, I was motivated to seek answers to my question.

It turns out Ben Leeming's research in Latin American history and his growing expertise as a practicing historian play a huge role in his teaching and the design of the curriculum:

“History is not just something you learn, it's something you do,” says Leeming. “My Ph.D. research has made me more sensitive to the fact that history is a way of understanding the past that involves interpreting evidence and arguing for a particular perspective. The reality is that history often involves multiple perspectives, which often conflict. In contrast, many students come into our classes thinking history is about ‘facts’ and that learning history requires little more than the memorization of those facts. As a result of having to grapple with contradictory interpretations in my dissertation research I have increasingly tried to introduce multiple interpretations into my teaching, as well as the skills students need to analyze primary sources and conduct their own historical analysis.”

Ben's research has led directly to developing critical thinking skills among his students.

Likewise, David Saul, Visual Arts Department Chair, feels strongly that his work as a practicing photographer influences his teaching:

“When I photograph and engage in the creative process, I am constantly learning,” says Saul. “I can use that learning to guide my students in the process."

As with many teachers who practice what they teach, David points to empathy as a powerful teaching tool:

“Students will struggle with the creative process where there is not a right answer,” he says. “I can share with them the struggles I have had in creating art, the unexpected paths I have taken, and the need for persistence."

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